The space above the entrance in the east wall is divided into a upper section and a lower section consisting of two parts. The upper section is covered with the thousand Buddha motifs, the upper part of the lower section on the south side contains three female donors, chariots drawn by oxen and two attendants, the upper part of the lower section on the north side level contains two bhiksus, six male donors. Below them are three bhiksus and three male donors.

The south wall contains a central preaching scene surrounded by the thousand Buddha motifs, and below it are yakshas (only two preserved). On the lower part on the west side are an attendant bhiksu, seventeen male donors and a yaksha, while on the other side are twelve female donor figures (imcomplete). Part of the painting is damaged when a hole was cut through the wall in the Qing dynasty.

An arch niche is dug out of the west wall. It contains a seated Buddha statue with two legs pendent. On the wall behind the Buddha statue is a nimbus consisting of a circle of manifested Buddhas and flaming Buddhas. There are two apsaras holding music instruments on each upper side (below them there were originally statues of attendant bodhisattvas, which have disappeared now), and on the two lower sides are pearls. The niche lintel is made in bas-relief with painted flames and incarnated boys. The niche beams have a dragon head on each end while the pillars are decorated with lotuses.

The north wall contains a central preaching scene (half of it was damaged when a hole was cut through the wall in the Qing dyansty) surrounded by thousand Buddha motifs. On the lower part on the west side are three bhiksus, fourteen male donors and a yaksha, while on the other side are eighteen bhiksus and eight donor figures.

The scenes on this slope continue the story painted on the south slope and describe the episodes like feeding the tiger and building a pagoda. Below are seven heavenly musicians and draperies.

Both the south and east slopes are used for rendering the narrative Sattva Jataka tales. On the south slope are mainly scenes of three princes leaving the palace, hunting and having a break.

Right in the center is a Mani pearl on a lotus flanked by six musician apsaras on either side. The lower part is connected to the niche lintel decorated with the flames, lotuses, and incarnated boys.

The Samaka Jataka is painted on this slope, which mainly contains the following episodes: worshiping blind parents (on the west side) and King of Kashi hunting (on the east side). The lower part has celestial musicians and apsaras, six altogether. The figures in this narrative story wear Han Chinese styled attires, and the painting style mainly follows the traditions of the Central Plains.

The ceiling center features a painted laternendecke motif with lotuses surrounded by draperies extending to the four slopes.

There is an image of Kistigabha bodhisattva of the Five Dynasties on the space above the entrance in the west wall (the upper part is damaged). On the south side of the entrance is an illustration of the eleven-headed Avalokitesvara of the Five Dynasties (it is also on the north side of the entrance in the front chamber of cave 300. The paintings of the Five Dynasties on the north side have been destroyed.